Mars by 1980: The Story of Electronic Music

£20.00

Electronic music is now ubiquitous, from mainstream pop hits to the furthest reaches of the avant garde. But how did we get here? In ‘Mars by 1980’, David Stubbs charts the evolution of synthesised tones, from the earliest mechanical experiments in the late nineteenth century, through the musique concrete of the Futurists and radical composers such as Pierre Schaeffer and Karl Stockhausen, to the gradual absorption of electronic instrumentation into the mainstream, be it through the BBC Radiophonic Workshop, grandiose prog rock or the DIY approach of electronica, house, and techno. Stubbs tells a tale of mavericks and future dreamers, malfunctioning devices and sonic mayhem.

In stock

ISBN: 9780571323975 Category: Tags: , ,

Description

Electronic music is now ubiquitous, from mainstream pop hits to the furthest reaches of the avant-garde. The future, a long time coming, finally arrived. But how did we get here?

In Mars by 1980, David Stubbs charts the evolution of electronic music from the earliest mechanical experiments in the late nineteenth century to the pre-World War 1 inventions of the Futurist Luigi Russolo, author of the ‘Art Of Noises’ manifesto. He takes us through the musique concr�te of radical composers such as Edgard Var�se, Pierre Schaeffer, and Karlheinz Stockhausen, to the gradual absorption of electronic instrumentation into the mainstream: be it through the BBC Radiophonic Workshop and the work of pioneers like Delia Derbyshire, grandiose prog rock, or the more DIY approach of electronica, house, and techno.

It’s a tale of mavericks and future dreamers overcoming Luddite resistance, malfunctioning devices, and sonic mayhem. Its beginnings are in the world of avant-classical composition, but the book also encompasses the cosmic funk of Stevie Wonder, Giorgio Moroder, and unforgettable 80s electronic pop from the likes of Depeche Mode, the Pet Shop Boys, and Laurie Anderson – right up to present day innovators on the underground scene. But above all, it’s an essential story of authenticity: is this music? Is it legitimate? What drew its creators to make it? Where does it stand, in relation to rock and pop, classical and jazz music, to the modern society that generated it? And why does it resonate more strongly than ever in our own postmodern, seemingly post-futurist times? Mars by 1980 is the definitive account that answers these questions.

Additional information

Weight 0.642 kg
Dimensions 23.4 × 15.3 × 3.2 cm
Author

Publisher

Imprint

Cover

Other

Pages

xvii, 429 , 16 unnumbered of plates

Language

English

Edition
Dewey

786.7 (edition:23)

Readership

General – Trade / Code: K