|Dimensions||21.8 × 14.2 × 2.7 cm|
General – Trade / Code: K
Recorded and transcribed throughout the 1960s, Carla Lonzi’s Self-portrait ruptures the narration of post-war modern art in Italy and beyond. Artmaking struck Lonzi as an invitation to be together in a ‘humanly satisfying way’, and this experiment in art-historical writing is a testament to her belief. Lonzi abolishes the role of the critic, her own, seeking change over self-preservation by theorising against the act of theorising.
Carla Lonzi (b. 1931, Florence; d. 1982, Milan) was an art critic and feminist activist best known for her work with Rivolta Femminile, a feminist collective created in 1970. Following the publication of Autoritratto (‘Self-portrait’) in 1969, Lonzi published Manifesto di Rivolta femminile (1970), Sputiamo su Hegel. La donna clitoridea e la donna vaginale e altri scritti (1974) and Taci, anzi parla. Diario di una femminista (1977). Due to her uncodified practice, she occupies a singular position within post-war Italian politics and art, and is a crucial figure of European feminism.